{"id":34,"date":"2024-01-05T17:49:56","date_gmt":"2024-01-05T17:49:56","guid":{"rendered":"https:\/\/secondlanguagemusic.com\/new\/?p=34"},"modified":"2024-08-13T09:13:24","modified_gmt":"2024-08-13T09:13:24","slug":"sl05-plinth-music-for-smalls-lighthouse-sl05x-plinth-flotsam","status":"publish","type":"post","link":"https:\/\/secondlanguagemusic.com\/new\/2024\/01\/05\/sl05-plinth-music-for-smalls-lighthouse-sl05x-plinth-flotsam\/","title":{"rendered":"SL05\u00a0– Plinth –\u00a0Music For Smalls Lighthouse\/SL05x – Plinth – Flotsam"},"content":{"rendered":"\n

‘MUSIC FOR SMALLS LIGHTHOUSE’ TRACKLISTING : <\/p>\n\n\n\n

1.   51\u00b0 43′.23 N 05\u00b0 40′.10 W (09.00)
2.   Dawn reflects in the East (03.38)
3.   Message in the Village (07.33)
4.   Solicitude (05.01)
5.   The Beckoning Arm (05.08)
6.   Sirens (07.23)<\/em><\/p>\n\n\n\n

‘Music for Smalls Lighthouse’ is Plinth\u2019s first full-length album for Second Language. Plinth is the pseudonym of Michael Tanner, a composer, writer and musician based in the south of England. In addition to his solo work as Plinth he is an active member of Directorsound, United Bible Studies and Tyneham House. Michael plays live with English folk musician Sharron Kraus and recorded and engineered Sharron\u2019s acclaimed 2008 album, The Fox\u2019s Wedding. He is currently working on forthcoming albums by  United Bible Studies, Agitated Radio Pilot and cult singer-songwriter Mark Fry. Other musical outlets include The A. Lords with Nicholas Palmer and the Vangelis-stylings of ‘Cat Lady’ with Matt Shaw (Tex La Homa). In 2008, Plinth collaborated with Textile Ranch, the solo project of Second Language\u2019s Glen Johnson, to create the album, ‘The Rest I Leave To The Poor’<\/a> (Make Mine Music).<\/p>\n\n\n\n

\"\"
Michael Tanner aka Plinth<\/figcaption><\/figure>\n\n\n\n

Accompanying the Music For Smalls Lighthouse CD is a booklet containing a short story based upon the very real events that took place upon Smalls rock, 210 years ago. The music corresponds to the incidents in the storyline in a literal sense as Plinth have created a haunting and mesmerising soundtrack featuring minimal strings and piano, accompanied by a selection of early pump organs and a 19th century Dulcitone. The field recordings and incidental sounds were captured along the Dorset coast. Contributors include Nicholas Palmer and Autumn Grieve. The words were written by Michael Tanner and Diane Allton with artwork designed by Jeff Teader.<\/p>\n\n\n\n

Undoubtedly the most painstakingly complex hand-assembly we’ve ever undertaken, only 150 copies were made of this ribbon-tied, hand-bound, hardback book; various pages extracted from a braille bible and player piano rolls. This release also included a free 10 track 3″ CDR of demos for the album, entitled, ‘Flotsam.’<\/p>\n\n\n\n

‘FLOTSAM’ TRACKLISTING : <\/p>\n\n\n\n

(i) St. David I
(ii) Under The Cabin
(iii) Sea Oak I
(iv) Sea Oak II
(v) Drift
(vi) Makeshift Coffin
(vii) The Siren Murmur
(viii) St. David II
(ix) Shepherd’s Warning
(x) Terminus<\/em><\/p>\n\n\n\n

SOLD OUT<\/p>\n\n\n\n


Note : this release was later re-issued on both CD and vinyl, beautifully illustrated by Frances Castle on her Clay Pipe label. Details here<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Evocative rendering of 19th century lighthouse mystery by prolific multi-instrumentalist, Michael Tanner (Thalassing, The A. Lords, The Cloisters, Silver Servants, etc). <\/p>\n","protected":false},"author":3,"featured_media":35,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-34","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-releases"],"_links":{"self":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/34","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/comments?post=34"}],"version-history":[{"count":10,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/34\/revisions"}],"predecessor-version":[{"id":366,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/34\/revisions\/366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/media\/35"}],"wp:attachment":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/media?parent=34"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/categories?post=34"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/tags?post=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}