{"id":245,"date":"2024-08-09T02:49:00","date_gmt":"2024-08-09T02:49:00","guid":{"rendered":"https:\/\/secondlanguagemusic.com\/new\/?p=245"},"modified":"2024-08-13T09:10:45","modified_gmt":"2024-08-13T09:10:45","slug":"sl041-memory-drawings-a-few-scattered-hours","status":"publish","type":"post","link":"https:\/\/secondlanguagemusic.com\/new\/2024\/08\/09\/sl041-memory-drawings-a-few-scattered-hours\/","title":{"rendered":"SL041\u00a0&#8211; Memory Drawings &#8211; A Few Scattered Hours"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">&#8216;A FEW SCATTERED HOURS&#8217; TRACKLISTING : <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1.&nbsp;Exit Wounds<br>2.&nbsp;The Same Indifference<br>3.&nbsp;This Never Happened<br>4.&nbsp;That&#8217;s Telling<br>5.&nbsp;The Right To Be Forgotten<br>6.&nbsp;Trace Elements Of Humility<br>7.&nbsp;Early Summer Separation<br>8.&nbsp;Days I&#8217;m Happy To Forget<br>9.&nbsp;Dead To Me Now<br>10.&nbsp;I Guess You&#8217;ll Never Know<br>11.&nbsp;A Few Scattered Hours<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">BONUS DISC,&nbsp;&#8216;REMIXES &amp; REWORKS&#8217; TRACKLISTING : <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1.&nbsp;Exit Wounds&nbsp;(Giulio Aldinucci remix)<br>2.&nbsp;The Same Indifference&nbsp;(Brendan Perry remix)<br>3.&nbsp;A Few Scattered Hours&nbsp;(The Green Kingdom remix)<br>4.&nbsp;The Right To Be Forgotten (Insides remix)<br>5.&nbsp;Dead To Me Now&nbsp;(Pin\/Johnson remix)<br>6.&nbsp;I Guess You&#8217;ll Never Know&nbsp;(M\u00fccha remix)<br>7.&nbsp;Early Summer Separation&nbsp;(with Yvonne Bruner)<br>8.&nbsp;Days I&#8217;m Happy To Forget&nbsp;(with Yvonne Bruner)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anglo\/American\/Australian collective Memory Drawings unknowingly began work on its fourth album<em>, A Few Scattered Hours,<\/em>&nbsp;during its spring 2018 tour of the UK and Spain, even if a majority of the tracks weren\u2019t written until Joel Hanson returned to the US with a hammered dulcimer that he had left under bandmate (former Hood founder) Richard Adams\u2019 guest room bed for the previous decade.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nevertheless, the concept of the record began to take shape long before these 11 tracks were finished. Due to time constraints and the vast geographical distance between band members, Memory Drawings has always written music in short bursts of creativity, whenever a few scattered hours were available for Joel and Richard to make music in the same room together. However, the record title is also an indirect indictment of life in early 21st-century, neo-liberal America, where increasing numbers of people are consumed by the relentless necessity of fulfilling economic imperatives, leaving fewer and fewer hours to focus on the spiritual\/artistic pursuits that make life worth living.&nbsp;<em>A Few Scattered Hours<\/em>&nbsp;is the band\u2019s sonic antidote to this loss of personal autonomy, a reminder that other worlds\u2014more compassionate and beautiful\u2014are still possible.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Memory Drawings - &#039;The Right To Be Forgotten&#039;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/oySgYDsAKmY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In addition to Memory Drawings mainstays Richard Adams (Hood\/The Declining Winter\/Western Edges), Sarah Kemp (Brave Timbers), and Gareth S Brown (Hood), Joel reached out to a larger group of musicians, mostly old friends and former bandmates from his hometown of Minneapolis &#8211; Joel Smith, Tim Ritter, Craig Grossman and Mykl Westbrooks &#8211; in addition to cellist Peter Hollo (Tangents\/FourPlay String Quartet) and viola-player Jessy Greene to help shape the record in their own unique ways. The result is the band\u2019s most dense, song-oriented and percussion-heavy record to date.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Like Memory Drawings\u2019 previous releases,&nbsp;<em>&#8216;A Few Scattered Hours&#8217; i<\/em>ncludes a bonus eight-track bonus disc of remixes and vocal versions<em>, &#8216;Remixes &amp; Reworks,&#8217;&nbsp;<\/em>which serves as a companion piece to the original instrumentals. This time around, the band had its work reinterpreted by an even more diverse group of musicians that includes Dead Can Dance leading man Brendan Perry, Giulio Aldinucci, Insides, The Green Kingdom, Cedric Pin\/Glen Johnson (both ex-Piano Magic) and M\u00fccha and Yvonne Bruner.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Buy\/download\/stream &#8216;A Few Scattered Hours&#8217; from the <a href=\"https:\/\/memorydrawings.bandcamp.com\/album\/a-few-scattered-hours\">official Memory Drawings Bandcamp page<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"531\" height=\"395\" src=\"https:\/\/secondlanguagemusic.com\/new\/wp-content\/uploads\/2024\/08\/MD2.jpg\" alt=\"\" class=\"wp-image-247\" srcset=\"https:\/\/secondlanguagemusic.com\/new\/wp-content\/uploads\/2024\/08\/MD2.jpg 531w, https:\/\/secondlanguagemusic.com\/new\/wp-content\/uploads\/2024\/08\/MD2-300x223.jpg 300w\" sizes=\"auto, (max-width: 531px) 100vw, 531px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Beguiling, instrumental project of hammered dulcimer player Joel Hanson and an ever-changing cast of musicians.<\/p>\n","protected":false},"author":3,"featured_media":246,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-releases"],"_links":{"self":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/comments?post=245"}],"version-history":[{"count":7,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/245\/revisions"}],"predecessor-version":[{"id":347,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/245\/revisions\/347"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/media\/246"}],"wp:attachment":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/media?parent=245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/categories?post=245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/tags?post=245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}