{"id":204,"date":"2024-08-08T08:10:00","date_gmt":"2024-08-08T08:10:00","guid":{"rendered":"https:\/\/secondlanguagemusic.com\/new\/?p=204"},"modified":"2024-08-13T10:21:58","modified_gmt":"2024-08-13T10:21:58","slug":"sl031-p60-models","status":"publish","type":"post","link":"https:\/\/secondlanguagemusic.com\/new\/2024\/08\/08\/sl031-p60-models\/","title":{"rendered":"SL031\u00a0&#8211; P60\u00a0&#8211; Models"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">&#8216;MODELS&#8217; TRACKLISTING : <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">01 &nbsp; &nbsp; &nbsp;The Reception<br>02 &nbsp; &nbsp; &nbsp;Broken and Unbroken<br>03 &nbsp; &nbsp; &nbsp;Kronecker Product<br>04 &nbsp; &nbsp;&nbsp;&nbsp;Deco Nude<br>05 &nbsp; &nbsp;&nbsp;&nbsp;Intervale<br>06 &nbsp; &nbsp; &nbsp;Ollala<br>07 &nbsp; &nbsp;&nbsp;&nbsp;I Got You In, Now Get Me Out<br>08 &nbsp; &nbsp; &nbsp;Ways Of Seeing<br>09 &nbsp; &nbsp; &nbsp;Ouverture<br>10 &nbsp;&nbsp;&nbsp; &nbsp;A Nutshell Study<br>11 &nbsp; &nbsp; &nbsp;Think Of A Number<br>12 &nbsp; &nbsp; &nbsp;Upper Silesian<br>13 &nbsp;&nbsp;&nbsp; &nbsp;Dorataspis Diodon<br>14 &nbsp; &nbsp; &nbsp;Conclusion<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There&#8217;s not just a brutalism about Cumbernauld, the Scottish &#8220;new town&#8221; in North Lanarkshire, developed ostensibly to catch the population overspill from neighbouring Glasgow in the 1950&#8217;s but also a melancholy, almost tangible banalism. According to brothers Phillip and Peter Walker, collectively operating under the moniker of P60, the lack of any discernible activity, cultural or otherwise, has resulted in a &#8220;blank society&#8221; which practically revels in its stagnance.<em>&nbsp;&#8220;If you Google images on Cumbernauld,&#8221;&nbsp;<\/em>says Phillip,&nbsp;<em>&#8220;you&#8217;ll notice a distinct dearth of people in the photos. Everyone just stays at home watching tv.&#8221;<\/em>&nbsp;But look very closely and you&#8217;ll notice that something is happening behind the concrete and steel facade.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cWe got into this by default,<\/em>&#8221; says Peter.<em>&nbsp;\u201cOur uncle Jim, died about 5 years ago and they found all these old synths and stuff in his attic which obviously, he\u2019d never used. Some of them were wrapped up in bin liners and bits of carpet so the rain wouldn\u2019t get at them. Nobody wanted them so at first I thought let&#8217;s just stick them on eBay or something.&#8221;<\/em>&nbsp;Phillip, however, had other ideas.<em>&nbsp;\u201cI used to be in a band (the equally reclusive Glasgow post-punk outfit, Knives Replace Air) which was all guitars but I knew we could do something if we applied ourselves. It\u2019s taken 2 years to actually start making tunes we\u2019re happy with. Before, it was just press a key, twist some knobs and see what comes out. We\u2019re still not exactly Depeche Mode.\u201d<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"P60 - Ouverture by Second Language Music\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F195531215&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">It\u2019s this rudimental, even na\u00efve approach to their somewhat rusty analogue palette that makes P60 stand out. As Phil says,&nbsp;<em>\u201cMost people with a few synths and a drum-machine would go, \u2018Let\u2019s make dance music\u2019 but between us, we literally have no interest in club culture. We\u2019re much more interested in the voice of the instruments.&#8221;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But why P60? \u201c<em>Both our names start with P obviously but in one of the binbags with all these synths was a little black box held together with duct tape and someone\u2019s Dymo\u2019ed \u2018P60\u2019 on it. There\u2019s an input and an output and we\u2019ve had it apart but we\u2019ve still got no idea what it does! It\u2019s literally a little black box that does nothing. It seemed very apt. We aren&#8217;t going to play live or have our photos taken. We want to stay anonymous. In the current celeb-obsessed climate, that&#8217;s about as punk as I can imagine.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P60&nbsp;<em>&#8216;Models&#8217;<\/em>&nbsp;comes in a semi-transparent glassine envelope with postcard, sanding disc, tachograph, hand-stamped litmus paper and electrical resistor. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">SOLD OUT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Download\/stream &#8216;Models&#8217; from the <a href=\"https:\/\/p60music.bandcamp.com\/album\/models\">Second Language Bandcamp page<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Minimalist analogue electronic sounds from reclusive Scottish brothers evokes Will Sergeant&#8217;s &#8216;Themes For Grind&#8217; and Thomas Leer\/Robert Rental&#8217;s &#8216;The Bridge.&#8217;  <\/p>\n","protected":false},"author":3,"featured_media":205,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-releases"],"_links":{"self":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/comments?post=204"}],"version-history":[{"count":2,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/204\/revisions"}],"predecessor-version":[{"id":463,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/204\/revisions\/463"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/media\/205"}],"wp:attachment":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/media?parent=204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/categories?post=204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/tags?post=204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}