{"id":188,"date":"2024-08-08T04:40:00","date_gmt":"2024-08-08T04:40:00","guid":{"rendered":"https:\/\/secondlanguagemusic.com\/new\/?p=188"},"modified":"2024-08-13T10:54:53","modified_gmt":"2024-08-13T10:54:53","slug":"sl027-littlebow-pi-magpie-sl027x-littlebow-five-white-feathers","status":"publish","type":"post","link":"https:\/\/secondlanguagemusic.com\/new\/2024\/08\/08\/sl027-littlebow-pi-magpie-sl027x-littlebow-five-white-feathers\/","title":{"rendered":"SL027\u00a0&#8211; littlebow\u00a0&#8211; Pi Magpie\/SL027x &#8211; littlebow &#8211; Five White Feathers\u00a0"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">&#8216;PI MAGPIE&#8217; TRACKLISTING : <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1.&nbsp;Pi Magpie<br>2.&nbsp;The Devil\u2019s Interval<br>3.&nbsp;For The Song<br>4.&nbsp;Wearside Rat Catcher<br>5.&nbsp;Hosianna Raft<br>6.&nbsp;Joe Caligula<br>7.&nbsp;How The Moon Got Its Light<br>8.&nbsp;Part Time Blind<br>9.&nbsp;The Pin Point Night<br>10.&nbsp;Faking Halos<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">littlebow, the London-based duo of multi-instrumentalists&nbsp;Katie English&nbsp;and&nbsp;Keiron Phelan, first broke ground in 2011 with their debut album on Second Language,&nbsp;The Edge Blown Aerophone&nbsp;\u2013 its title an explicit reference to the varied flutes and woodwinds which characterized the record, alongside vestigial flavours of classical minimalism, Krautrock and a soupcon of esoteric, pastoral prog-rock.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Having established their template,&nbsp;<em>Pi Magpie<\/em>&nbsp;sees littlebow expanding their brief considerably \u2013 their signature flutes now part of a broader sonic palate in which tremulous keyboards, spidery guitars, cyclical drums and sonorous Eastern percussion ebb and flow with equal consequence.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The title&nbsp;Pi Magpie&nbsp;is apt, denoting as it does, the notion of \u2018intelligent, mischievous theft\u2019, thus indicating littlebow\u2019s appropriation and synthesis of numerous musical styles. Not that this is an album merely of postmodern collage: palpable human warmth, generous melody and a jazzy freedom of expression are the true hallmarks of Pi Magpie. So, even as \u2018For the Song\u2019&nbsp;evokes Philip Glass gone be-bop, the up-tempo \u2018Devil\u2019s Interval\u2019&nbsp;summons Zuckerzeit-period Cluster,&nbsp;\u2018Part Time Blind\u2019&nbsp;suggests breezy quasi-\u201860s instrumental exotica and&nbsp;\u2018Hosianna Raft\u2019&nbsp;recalls the sun kissed optimism of Can\u2019s Future Days, this remains first and foremost music predicated on originality, seductive timbre and timeless art-pop accessibility. Which remains the case even when you learn that \u2018Pin Point Night\u2019&nbsp;is based squarely on Stravinsky harmonies, or that all of the album\u2019s bass parts are played on duo pizzicato cellos and structured on complex gamelan rhythms \u2013 Katie English being a regular performer in London gamelan orchestras.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"littlebow - The Devil&#039;s Interval by Second Language Music\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F100751660&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Indeed, both Katie and Keiron are practiced luminaries of leftfield music \u2013 the former in her much-vaunted, Home Normal championed, guise as electronic sound sculptor Isnaj Dui and a host of recondite collaborations including Hybernation, Memory Drawings and The Doomed Bird Of Providence, the latter as co-founder of cult Millennial post-rockers State River Widening and critically lauded joint-originator of albums for the likes of Leaf and Static Caravan as Phelan\/Sheppard and Smile Down Upon Us. They currently play principal roles in the Orla Wren sound art collective.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The antithesis of bucolic, faux-romantic, post-ambient noodle, Pi Magpie is a crucible of innovation and charm, deliberately glinting with urban textures, delivered by musicians with street smarts. As Keiron puts it,&nbsp;\u201cWe\u2019re city people, and I think the music reflects that. Our green spaces are surrounded by speeding traffic \u2013 and the Magpie is a bird of urban stripe\u2026\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pi Magpie came packaged as a 8 panel concertina sleeve with artwork by Malcolm English and design by Jonathan Lees.  Subscribers to Second Language also received a bonus EP of remixes, &#8216;Five White Feathers.&#8217;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8216;FIVE WHITE FEATHERS&#8217; TRACKLISTING<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">feather 1 :&nbsp;Hosianna Raft&nbsp;(Memory Drawings remix)<br>feather 2 :&nbsp;Pi Magpie&nbsp;(Oliver Cherer remix)<br>feather 3:&nbsp;Faking Halos&nbsp;(Thaiseeds remix)<br>feather 4 :&nbsp;The Devil\u2019s Interval&nbsp;(USRNM remix)<br>feather 5 :&nbsp;Wearside Ratcatcher&nbsp;(Weave remix)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">SOLD OUT<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"littlebow - Pi Magpie (Oliver Cherer Remix) by Second Language Music\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F115027305&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Follow-up to &#8216;The Edge-Blown Aerophone&#8217; broadens flute-centric duo&#8217;s sonic palate to include keyboards, guitar, drums and Eastern percussion.  For fans of Cluster, Philip Glass, Can.  <\/p>\n","protected":false},"author":3,"featured_media":189,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-releases"],"_links":{"self":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/comments?post=188"}],"version-history":[{"count":2,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/188\/revisions"}],"predecessor-version":[{"id":469,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/posts\/188\/revisions\/469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/media\/189"}],"wp:attachment":[{"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/media?parent=188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/categories?post=188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/secondlanguagemusic.com\/new\/wp-json\/wp\/v2\/tags?post=188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}